I wouldn't exactly call these "block rockin' beats" but they've certainly got their own appeal outside of a club setting. What I mean is that I don't think this particular song, and it's remixes, would translate well to a large system specically because of that high pitched keyboard tone. I get the feeling that'd hurt like a son of a bitch. Without it, feels like they'd do great all super loud. But that tone is sorta part of the whole ensemble and yeah, makes no sense to not have it.

Anywho, nice find and interesting concept for a regular article. Good luck keeping it up.